August 1, 2013
TWO weeks ago, I referred to the TV show, The West Wing, that popular bastion of liberal US politics created by Aaron Sorkin. So it is with some reluctance that, at the risk of sounding like a Sorkin acolyte, I mention his latest undertaking, The Newsroom. Its second season hit South African TV screens this week, and I can’t get it off my mind.
... But the fact remains that, while we may be enthralled by Sorkin’s verbal fireworks, we don’t find the repartee realistic. Our daily conversations are, by contrast, fragmented, repetitive, disjointed, interrupted, fraught with miscommunication and not very gratifying — unless we give them our considered attention. This is the kind of dialogue represented in Nathaniel Stern and Tegan Bristow’s Meaning Motion, installed at the Wits Art Museum (1 Jan Smuts Avenue, Braamfontein) until August 18.
Read the full article at Business Day.