By Kat Murrell
Shepherd Express
April 27, 2012
Chicago-based duo Dutes Miller and Stan Shellabarger are enigmatic extroverts. Their collaborative art grows from their relationship and transforms their physical bodies into icons. They are intensely personal, yet transcend specific narrative with universal themes of connection and love in works that are lyrical, ephemeral and mysterious as shadows.
Perhaps the shadow reference comes a bit easily, as a number of pieces in the main gallery space at Inova/Kenilworth feature the artists' likenesses in black paper cutouts. They are displayed as pages in monumental books, as large images on the wall, and most intriguingly, as long garlands of figures. These garlands are paper cutouts, but not all figures in the string are the same. Noting their variations is like watching animation unfold in slow motion. They are suspended over the industrial gallery space of the Kenilworth building, which is an especially interesting position as it directs our attention to places overhead. The space of the viewer and the space of art are the same. The cutouts cast shadows on the walls like feathery doppelgängers, counterpoints to the precise shapes in the air. In one corner, Garland (Yoga) cascades like a totem or a waterfall, like gods or lovers.
Read the full article at the Shepherd Express.