In this rich, imaginative survey of variety musical theater, Gillian
M. Rodger masterfully chronicles the social history and class dynamics
of the robust, nineteenth-century American theatrical phenomenon that
gave way to twentieth-century entertainment forms such as vaudeville and
comedy on radio and television. Fresh, bawdy, and unabashedly aimed at
the working class, variety honed in on its audience's fascinations,
emerging in the 1840s as a vehicle to accentuate class divisions and
stoke curiosity about gender and sexuality. Cross-dressing acts were a
regular feature of these entertainments, and Rodger profiles key male
impersonators Annie Hindle and Ella Wesner while examining how both
gender and sexuality gave shape to variety. By the last two decades of
the nineteenth century, variety theater developed into a platform for
ideas about race and whiteness.


